Humanity is looking for ways to leave Earth, with plans for moonbases and Mars simulations. As we face the threats of AI-based extinction and the climate crisis, preserving a record of life on Earth becomes crucial. Time capsules buried under the ground have been a traditional way to preserve information, but they are vulnerable to destruction. Samuel Peralta has come up with a groundbreaking solution – sending the work of over 30,000 artists, writers, filmmakers, and musicians to the moon.
The project, called the Lunar Codex, aims to create a time capsule that will survive even in the face of wars and environmental upheavals. It speaks to the idea that despite the challenges, humanity found time to dream and create art. The idea originated during the dark times of the COVID-19 pandemic when galleries were closed, and artists felt despondent. At the same time, space missions to the moon were being planned.
The artworks selected for the Lunar Codex represent a diverse mix from artists around the world. The collection includes visual art, novels, poetry, film, theatre, and music from 158 countries and territories. The storage devices used can last tens of thousands of years, ensuring the preservation of these creative works. Notable names like Louise Glück, Ocean Vuong, and Yayoi Kusama are part of this extraordinary collection.
It’s important to note that this project is not a money-making scheme. Samuel Peralta and Incandence, the company that manages the physical time capsules and archival technology, do not profit from it. Peralta’s inspiration comes from his lifelong admiration for creatives, and he sees this project as a way to pay it forward.
The question arises – is it worth sending art to the moon? Peralta explains his intentions and the likelihood of the art outlasting humanity. He hopes that by preserving these works on the moon, artists and audiences will be inspired to continue creating and pursuing their artistic visions. It’s also a way to unite nations and involve them in the exciting journey of humanity venturing beyond our planet.
The Lunar Codex came together through Samuel Peralta’s background as a physicist and his experience in various artistic fields. He curated the material for the project, drawing on his extensive network of editors, curators, and gallerists. The artworks are stored on shielded memory cards or NanoFiche, and the plan is to transport them to the moon using advanced technology.
In the end, the Lunar Codex represents a remarkable endeavor to preserve human creativity and inspire future generations. It’s not just about individual artworks; it’s about the collective artistic expression of our species. By sending art to the moon, we leave a lasting legacy that may one day be discovered by other civilizations.